It’s amazing what one person’s passion and persuasion can accomplish ~ this understanding is what I discovered as I wrote the radio-style drama “Annora Brown: Interpreter of the Foothills”.
When I first read Sketches from Life I was both saddened and exhilarated. It had been fifty years since I had been smitten by Annora Brown’s landscape paintings in the l950s. In the in-between-time, I had received only scarce bits of information about this fascinating artist from Fort Macleod.
Early in this century, although I was very much a computer novice, I started gleaning bits of information from my own desk top about Annora’s life and work. Eventually my research led me to read Patricia Alderson’s 2005 Thesis “Annora Brown: Forming a Regionalist Sensibility” (on microfiche – thus requiring hours of sitting in the Lethbridge library peering at microfilm screen, manually scrolling from page to page – no quick search and click to open a pdf in the comfort of my home office)!
After reading the thesis, I spent a day with Patricia. I lingered over Annora’s sketch books and memorabilia that her nephew, Morley Brown, had given to Patricia. Talking with Patricia and how her thesis revealed Annora’s lifelong quests further spurred me to do on-the-ground research in southwest Alberta with people who knew her or knew about her. I designed (and financed with my first Church Pension cheque) a brochure about the life and artworks of Annora, and I initiated grass-roots research and legacy discussions.
From confidence I had gained after writing two local historic plays for presentation in the Kootenai Brown Museum, I penned the story of Annora Brown. Based on her autobiography, and using local memorabilia that included diaries, interviews, and oral history memories shared by a variety of individuals, I wrote and rewrote. At the 2008 Waterton Wildflower Festival, along with three amateur actors, we successfully presented our play, along with the help of many volunteers who loaned their paintings and hosted the various aspects of our gathering.
From then, we presented in southwest Alberta, the dramatization on 10 different occasions as a radio-style play-reading, always with the accompaniment of borrowed, privately owned Annora-paintings. A silver collection helped pay for the minimal costs involved. The audiences consistently received Annora’s story with appreciation for her passions and life accomplishments.
Regular newspaper and e-mail columns, plus the promotion and presentation of the play, helped fan the warming coals of Annora’s story. Now it was time to make a more permanent and digital record of our production.
In the 2017-2018 academic year, I persuaded the Digital Communications and Media instructor at Lethbridge College to film the drama as part of his Diploma Program. Enthusiastic students worked on a real-life story of an amazing and local woman, fueled by the possibility that the production would be of use by K-12 students and whomever else accessed it on the world wide web. The college recording included images of Annora, her paintings, and her landscapes that furthered the telling of the fullness of her life.
Furthermore, a University of Lethbridge Digital Audio Arts student (who had a family relationship with the Annora story) volunteered to add the musical background and uploaded the film on YouTube, in 3 short classroom teaching segments.
Examples of use of the film might be by students in English Language Arts, art or in a classroom about conservation and sustainability of the land, or for performance by a drama class (script included).
Acknowledgement of appreciation was given to each of the many people involved: for their contribution, for the facilities and equipment used, and for all who shared digitized images.
This script is also available on the website OER Commons – where Open Education Resources lesson plans are available. Because of the permissions of the license (CC-BY-SA-NC), revisions or remixes are allowed, and can be shared on OER Commons. Please note that no commercial use of the script is allowed.
Thanks to the affordances of digital technologies and Creative Commons Licensing, Annora Brown’s Art, Life and Legacy Project is a great gift for all of us.
(see www.annorabrown.ca )
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