(In Scripture ‘The Preacher’ tells how “the day of death is better than the day of birth” [Ecclesiastes 7:1]. Many Seniors, who have themselves lived purposeful lives, will appreciate the following biographical reflections.)
Pioneer environmental artist Annora Brown (1899 – 1987) was a person whose creative endeavours, which she shared throughout her life, are even more deeply appreciated today.
I recently read a review of a 1982 exhibit that featured her work. Annora was 83 years old and had just received her newly published Sketches from Life autobiography. An art-reviewer writing about that Lethbridge show commented on the unique quality of Annora’s lino-work Buggy Ride , and the competency of her watercolour works – especially her “native American subjects” and “the delicate colours of the Cow Parsnip ” … “The depth of distance (observed in) Windblown Tree and (the) quiet serenity of Waterton Lakes were handled nicely.” Her landscapes in oil and in watercolour showed her “great sense of the land, sky and space of Southern Alberta” and were “her strongest, surest works”. (Lethbridge Herald, February 24, 1982)
Introverted, unmarried, noticeably deaf from an early age, and battling health issues especially in those later years, Annora Brown continued her pursuit of creativity even after moving from Fort Macleod to Deep Cove, BC in 1965.
Among her many accomplishments, some from very early in her professional career, was the Honorary Membership given to her by the Alberta and Canadian Handicraft Guilds. It was recognized that she sought to elevate crafts (for Indigenous and Inuit women as well as non-Aboriginal women) to a higher status, and translated art into the daily lives of the people. (Patricia Alderson’s Thesis Annora Brown: Forming a Regionalist’s Sensibility page 40f)
She “sent off a number of her beautifully executed batiks to Calgary Handicrafts Show”. Done on velvet, and of large dimensions, they were “highly praised for their beauty and workmanship”. One showed deer and moose against background of spruce and poplar. Another “batik on silk depicted plains Indian legends and prairie designs inspired by wigwams and covered wagons.” (Family Herald & Weekly Star, November 17, 1937)
Reviewing a “Past Revisited in Gallery Show”, Linda Caldwell wrote “Annora Brown had a flower painting in the show with an almost surreal look … It was too perfect to be real yet so perfect it looked real …” (Medicine Hat News, January 11, 1985)
Not only was she known for the outstanding quality of her work, but also for her business acumen. Annora Brown was one of the first artists in Alberta to have made her living as an artist – at the same time as providing for her parents at their home in Fort Macleod. This was an era when there was no medi-care nor pension. Nor were there any grants for artists. (Her mother died in 1936, her father in 1956.)
The full extent of her legacy continues to grow in these days thanks to shared research, and with the help of modern technology and Creative Commons Licensing. With a certainty we can affirm – “The day of Annora Brown’s death was better than the day of her birth.”
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