(Break-through research by Annora Brown led to her unique style for painting wildflowers.)
Only recently have I realized how unique Annora Brown’s wildflower paintings were for her time. The essence of the story is told in the end chapter of her autobiography Sketches from Life.
In gathering information for the Old Man’s Garden manuscript, Annora had cumulated valuable information about these wildflower plants from a botanical and historic perspective, and she treasured the understandings learned from the Blackfoot People.
Now she, the conservationist, gave voice through her artistic renderings to the unique way these flowers called out to her. Whether found on the mountains, in the plains or on the prairies, the images she created suggested the flowers had a “relationship with the earth, the grass, the gophers, the melting snow”. They were “poetical interpretations of Nature”.
Furthermore, Annora the artist developed a newly evolved technique for painting these subjects. She “used watercolour with a small amount of opaque paint where necessary” to try to show intensity of feeling and emotion. Line and form were blended with watercolours to appear “dark and sturdy” (not pale and fragile”). She sought for “subtle colouring and mystic quality” (which was “beyond the scope of the average colour engraver”).
Critics at first rejected Annora’s work. They assumed any wildflower painting should look more like a scientific specimen. It was thought to be wrong for an image to suggest mood or have emotional content … wrong to assume any relationship of the wildflower with the world around it!
For a while, according to Annora, “this controversy (between art and science) unknowingly placed me between two worlds”. But gradually “the demand for (her) paintings grew”. Within a few years her works were featured in Exhibits and were favoured by the Public.
In 1971 one art critic published the following comment after viewing the Glenbow Art Exhibit. “Annora Brown is the hand of the flower sower and the eye of time, for when the lily blooms no more, should man be yet alive, she will review for him the glory that was, and advise him of the glory to be …”
The Glenbow Foundation commissioned 200 Annora Brown wildflower paintings in 1958 (completed in 3 years). It is this same Glenbow Archival Collection that we enjoy today.
(see pp. 218 – 220, Sketches from Life by Annora Brown)
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