(The “Annora Brown Life and Legacy” work spurred on by Joyce Sasse needs to be given wider attention. How can you help?)
Through our studies of the life and legacy of Annora Brown, many of us recognize her contribution as a spiritual mentor who continues enhancing our lives
Even before the on-set of my stroke and health issues, I have looked for ways we can more appropriately organize and administer these offerings. We appeal for inspiration.
So many things stimulate our attention. Mary-Beth Lavioulette and Sidney Black (Blackfoot Nation) have teamed up with Rocky Mountain Press to offer a re-release of Annora’s classic “Old Man’s Garden”. Watch for it being published in the fall.
Natalie Ashton is working hard to up-date the Website ( www.annorabrown.ca ). This is an even more inspirational tool for all who have enjoyed the past work done in this regard.
Bev Harbison has been working with a couple of University of Alberta Archivists to discover more correspondence and information pertaining to Annora Brown. As an example, a letter from Jim McNicoll (Alberta Society of Artists) pleaded with Annora to join the ASA again – noting with pride that the organization “has sloughed off its Victorian skin”. His anticipation (and plea) was that she might rejoin and offer 3 or 4 of her pieces for the next ASA showing.
A couple of notes from Catherine Whyte (circa 1958) suggest Annora’s association with a group of Catherine’s artist friends was much appreciated. They only wish she could have had a longer stay in Banff. Later we learn about the financial loan she made that helped Annora find a lovely little house and studio on Vancouver Island.
How much more Catherine Whyte related correspondence might be found in the Whyte Museum (Banff)?
From Annora’s own “Sketches from Life” autobiography we catch a glimpse of how much the Glenbow Collection of Wildflowers demanded of Annora in terms of tenacity and exhaustion. Norman Rockwell wrote in his autobiography from the same era that he wouldn’t have even tried to complete 10 works (never mind 200 watercolours).
U of A correspondence tells us that in 1965 the Glenbow seized for posterity Annora’s “paintings of Indians and prairie landscapes”. In 1969 they suggested, further, that she “consider placing the manuscript of Old Man’s Garden in their care”.
The U of A Archives notes a delightful letter written by Frank Collindridge (Member of Parliament) from when Annora did a 3-month tour of Europe in 1951 and met the “Queen Mother”. In part it reads “I’ve had the privilege and pleasure of meeting Annora… You did not exaggerate … when you wrote me of her charm. She seemed to have all the advantages of transcending everything that equitable nature of her I have never seen excelled. I shared her company at the House of Commons, and there was an occasion she went to the House of Lords to witness the Royal assent given to Parliamentary Bills, and she met a few of our members in both Commons and Lords. I always felt my personal stock and standing was being improved in being able to call her friend. She of course will give you her own account of these affairs, … but I have a notion Annora’s modesty will not make for the full story and the part she played in it.
“Came the day she went to the Garden Party at Buckingham Palace and the good fortune I had in getting her presented to the Queen. Annora had a dignity, and dress, most becoming, and she bore herself splendid…”
Both he … and we … have so much more we can learn from this National Treasure.
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